Its accompanying album, also called Get Closer, featured an additional single in "Goodbye Old Buddies," which reached ten on the Adult Contemporary chart. "Get Closer," which featured vocals from Carolyn Willis of Honey Cone, did even better, reaching number six in 1976. Seals and Crofts rebounded with I'll Play for You, whose title track peaked at 18 in 1975. When it was released as the first single from its parent album, "Unborn Child" caused controversy that failed to sell records it failed to crack the Billboard Top 40, as did its followup "The King of Nothing." Supreme Court ruled that there was a constitutional right to abortion in the landmark Roe Vs. Written from the perspective of an aborted fetus, "Unborn Child" stemmed from the duo's Baha'i Faith and arrived less than year after the U.S. Unborn Child stalled Seals and Crofts's momentum in 1974. "Diamond Girl" continued the group's hot streak by peaking at six in 1973 its parent album also featured "We May Never Pass This Way (Again)," which reached 21 but became an adult contemporary standard. "Summer Breeze" became the duo's first big hit, peaking at number six on Billboard in 1972 the subsequent single "Hummingbird" made it to 20 in early 1973. Seals and Crofts sweetened and polished their folk-rock on Summer Breeze, a sonic evolution showcased on the album's title track. Neither record got much attention but helped get the attention of Warner Bros., who brought the duo aboard their roster in 1971, the same year Year of Sunday became their first album to chart on Billboard. Signing with TA, the record division of Talent Associates, Seals and Crofts released their eponymous debut in 1969, following it with the John Simon-produced Down Home. During this period, they committed themselves to the Baha'i Faith which in turn laid the groundwork for the folky music they made once they became a duo in 1969. Crofts went back to Texas as Seals joined the Dawnbreakers, a group named after a pivotal text in the Baha'i Faith. Their big break arrived when the pair were invited to join the Champs, whose membership became slightly unstable in the wake of their surprise 1958 hit single, "Tequlia." Seals and Crofts didn't play on that instrumental rock & roll classic but they did stick with the group into the early 1960s, breaking away to play with an early Glen Campbell band before splitting. Jim Seals and Dash Crofts met as teenagers in Texas, the pair playing together in a combo called the Crew Cats during the mid-1950s. "Summer Breeze," "Diamond Girl," "We May Never Pass This Way (Again)" and "Get Closer" remained radio staples years after their initial run on the charts, surviving long after the pair called it a day at the dawn of the 1980s. Their craft was evident on their biggest hits. Practitioners of the Baha'i Faith-at the height of their fame in the mid-1970s, they'd extol its virtues to fans-Seals and Crofts were drawn to the quieter aspects of rock music, developing a signature sound distinguished by their easy melodicism and mellow vibe. Over the course of the 1970s, Seals and Crofts evolved from a gentle folk-rock duo to purveyors of slick, polished pop, two sounds that became inextricably associated with the Me Decade. The follow-up single " We May Never Pass This Way (Again)" attained the #21 position late in the year (#33 in Canada).Īll songs written by Jim Seals and Dash Crofts, unless otherwise indicated.It's possible to hear the progression of soft rock through the music of Seals and Crofts, the duo who recorded some of the genre's perennials. Its title track " Diamond Girl" reached #6 on the Billboard Hot 100 chart in the summer and #13 in Canada. Their children (Lua Crofts and Joshua Seals) are mentioned in the chorus.ĭiamond Girl peaked at #4 on the U.S. The first verse is sung by Seals, and the second by Crofts, with both singing the chorus. "Ruby Jean and Billie Lee" is another, written for their spouses, Ruby Jean Anderson (Seals) and Billie Lee Day (Crofts). "Nine Houses" is one of two intimate, religious songs, which the band would often reserve for after concert performances. The album contains a number of different musical styles and themes. Diamond Girl is the fifth studio album by pop/folk duo Seals and Crofts.
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